FSLC announces selections for PROJECTIONS at the 2014 NY Film Festival

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Posted by on 8.21.2014

THE FILM SOCIETY OF LINCOLN CENTER announces
selections for Projections
at the 2014 NEW YORK FILM FESTIVAL

New York, NY (August 21, 2014) – The Film Society of Lincoln Center announced today the complete lineup for the New York Film Festival’s Projections section. Taking place from October 3-5, the popular yearly touchstone for experimental film (formerly titled Views from the Avant-Garde) returns with 13 programs and 63 film and video works.

Curated by Dennis Lim (Director of Programming, Film Society of Lincoln Center), Aily Nash (independent curator), and Gavin Smith (Senior Programmer, FSLC & Editor-in-Chief, Film Comment), Projections presents an international selection of artists’ film and video work that expands upon our notions of what the moving image can do or be. Drawing on a broad range of innovative modes and techniques, including experimental narratives, avant-garde poetics, crossovers into documentary and ethnographic realms, and contemporary art practices, Projections brings together a diverse offering of short, medium, and feature-length work by some of today’s most vital and groundbreaking filmmakers and artists.

Highlights include new works from filmmakers familiar to NYFF and Views from the Avant-Garde audiences including Kevin Jerome Everson (Fe26, Sound That, and Sugarcoated Arsenic), Ben Rivers (Things), Ben Russell (Atlantis), Sylvia Schedelbauer (Sea of Vapors), and Deborah Stratman (Second Sighted). Jacqueline Goss returns to the festival with the world premiere of her collaboration with visual artist Jenny Perlin, The Measures, which explores the metric system’s origins via the journey of two 18th-century astronomers tasked with determining the true length of the meter. The film will be screened with a live voiceover performed by Goss and Perlin.

Other world premieres by NYFF regulars include Lewis Klahr's The Occidental Hotel, Jodie Mack’s Razzle Dazzle, Julie Murray’s End Reel, Fern Silva’s Wayward Fronds, and Jim Finn’s Zinoviev's Tube: Tape 2 of the Inner Trotsky Child series, a sequel to Encounters With Your Inner Trotsky Child, which screened at Views last fall.

Feature-length works in this year’s selection include Phillip Warnell's Ming of Harlem: Twenty One Storeys in the Air, about Antoine Yates and his two roommates, a 500-pound tiger named Ming and a seven-foot alligator named Al, and Eric Baudelaire's Letters to Max, an epistolary narrative that explores Abkhazia, a country not recognized by other nation states. Baudelaire, who is making his first appearance at the NYFF, was featured this past April in the Film Society’s nonfiction series Art of the Real. The festival will also present the latest and final feature-length work by Harun Farocki, the seminal and hugely influential film essayist and video artist who passed away in July. His film, Sauerbruch Hutton Architects, reveals the ins and outs of the prestigious Berlin-based architecture firm over the course of several months; Farocki will be featured in a concurrent solo show at Greene Naftali Gallery this fall.

Several esteemed contemporary visual artists are making their first appearances at NYFF this year, including the 2014 Turner Prize–winning Laure Prouvost (How to Make Money Religiously); artist and theorist Hito Steyerl (Adorno’s Grey); and Victoria Fu (Lorem ipsum 1), who was featured in this year’s Whitney Biennial.

Additional special screenings, events, filmmaker conversations and panels, as well the full Convergence program, will be announced in subsequent days and weeks.

The 17-day New York Film Festival highlights the best in world cinema, featuring top films from celebrated filmmakers as well as fresh new talent.

Projections tickets are $10 for Film Society Members and $15 for Non-Members. A limited number of All Access Passes, which include one ticket to all programs in Projections, will be available on September 7 for just $99. Visit www.filmlinc.com/NYFF for complete film festival information.

Please note: All sales are final. No refunds or exchanges. Tickets are subject to availability. Programs and prices are subject to change.

Updated NYFF App is available on iOS and Android.

NYFF PROJECTIONS Selections

Program 1
October 3, 3pm


Old Growth

Ryan Marino, USA, 2014, 16mm, 8m

Babash

Lisa Truttmann & Behrouz Rae, USA/Austria/Iran, 2014, DCP, 9m

Wayward Fronds

Fern Silva, USA, 2014, 16mm, 15m

Theoretical Architectures

Josh Gibson, USA, 2014, HDCAM, 5m      

Canopy

Ken Jacobs, USA, 2014, DCP, 5m

Under the Heat Lamp an Opening

Zachary Epcar, USA, 2014, DCP, 10m

Against Landscape

Joshua Gen Solondz, USA, 2013, HDCAM, 4m

Night Noon

Shambhavi Kaul, Mexico/USA, 2014, HDCAM, 11m


Program 2
October 3, 5pm


Ming of Harlem: Twenty One Storeys in the Air

Phillip Warnell, UK/Belgium/USA, 2014, DCP, 71m


Program 3
October 3, 7:15pm


Berlin oder ein Traum mit Sahne (Berlin or a Dream with Cream)

Marcel Broodthaers, Germany, 1974, 35mm, 10m

Mr. Teste et La Lune

Marcel Broodthaers, Belgium, 1970-1974, 35mm, 4m

Things

Ben Rivers, UK, 2014, 16mm, 21m

Depositions

Luke Fowler, UK, 2014, digital projection, 24m

a certain worry

Jonathan Schwartz, USA, 2014, 16mm, 3m

The Dragon is the Frame

Mary Helena Clark, USA, 2014, 16mm, 15m


Program 4
October 3, 9:15pm


Fe26

Kevin Jerome Everson, USA, 2014, HDCAM, 7m

Sound That

Kevin Jerome Everson, USA, 2014, digital projection, 12m

Second Sighted

Deborah Stratman, USA, 2014, HDCAM, 5m

The Measures

Jacqueline Goss & Jenny Perlin, USA/France, 2014, DCP, 46m


Program 5
October 4, 1pm


Sauerbruch Hutton Architects

Harun Farocki, Germany, 2013, digital projection, 73m


Program 6
October 4, 3pm


Color Neutral

Jennifer Reeves, USA, 2014, 16mm, 3m

Hat Trick

Katherin McInnis, USA, 2014, DCP, 4m

Sleeping District

Tinne Zenner, Denmark/Russia, 2014, 16mm, 11m

Zinoviev’s Tube: Tape 2 of the Inner Trotsky Child series

Jim Finn, USA, 2014, digital projection, 22m

Off-White Tulips

Aykan Safoğlu, Turkey/Germany, 2013, DCP, 24m

End Reel

Julie Murray, USA, 2014, DCP, 7m

Picture Particles

Thorsten Fleisch, Germany, 2014, DCP, 6m


Program 7
October 4, 5:15pm


Under the Atmosphere

Mike Stoltz, USA, 2014, 16mm, 15m

The Figures Carved into the Knife by the Sap of the Banana Trees

Joana Pimenta, USA/Portugal, 2014, DCP, 16m

Shwebonta

Meredith Lackey, USA, 2014, DCP, 13m

Atlantis

Ben Russell, Greece/USA, 2014, DCP, 24m


Program 8
October 4, 7pm


Letters to Max

Eric Baudelaire, France, 2014, DCP, 103m


Program 9
October 4, 9:45pm


Sea of Vapors

Sylvia Schedelbauer, Germany, 2014, DCP, 15m       

Red Capriccio

Blake Williams, Canada, 2014, HDCAM, 7m

Field Notes

Vashti Harrison, USA, 2014, 16mm, 18m                  

Darkroom

Billy Roisz, Austria, 2014, DCP, 13m

Detour de Force

Rebecca Baron, USA/Austria, 2014, DCP, 29m


Program 10
October 5, 1:30pm


Blue Loop, July

Mike Gibisser, USA, 2014, 16mm, 5m

The Hummingbird Wars

Janie Geiser, USA, 2014, digital projection, 10m

Razzle Dazzle

Jodie Mack, USA, 2014, 16mm, 5m

Blanket Statement #2: It’s All or Nothing

Jodie Mack, USA, 2013, 16mm, 4m

Light Year

Paul Clipson, USA, 2013, 16mm, 10m

Sound of a Million Insects, Light of a Thousand Stars

Tomonari Nishikawa, Japan, 2014, digital projection, 2m

Ginza Strip

Richard Tuohy, Australia/Japan, 2014, 16mm, 9m

Friday Mosque

Azadeh Navai, USA, 2013, 16mm, 8m

2012

Takashi Makino, Japan, 2012, HDCAM, 30m


Program 11
October 5, 4pm


The Occidental Hotel

Lewis Klahr, USA, 2014, HDCAM, 26m

El Futuro

Luis Lopez Carrasco, Spain, 2013, DCP, 67m


Program 12
October 5, 6:30pm


Broken Tongue

Mónica Savirón, USA, 2013, DCP, 3m

Film

Ismaïl Bahri, France/Tunisia, 2012, digital projection, 10m

The Innocents

Jean-Paul Kelly, Canada, 2014, HDCAM, 13m

Chapters 1, 2 & 3 ‘from the impossibility of one page being like the other’

Oraib Toukan & Ala Younis, Jordan, 2014, DCP, 4m

Sugarcoated Arsenic

Claudrena Harold & Kevin Jerome Everson, USA, 2013, DCP, 20m

Adorno’s Grey

Hito Steyerl, Germany, 2012, digital projection, 14m

O, Persecuted

Basma Alsharif, UK/Palestine, 2014, digital projection, 14m


Program 13
October 5, 8:30pm


How to Make Money Religiously

Laure Prouvost, UK, 2014, DCP, 18m

Renaissance Center/GM Tower

Nicky Hamlyn, Canada/UK, 2012, 16mm, 5m

Sound of My Soul

Wojciech Bąkowski, Poland, 2014, digital projection, 13m

Seven Signs that Mean Silence,

Sara Magenheimer, USA, 2013, digital projection, 11m          

Horizon

Stephanie Barber, USA, 2014, digital projection, 3m

SONE S/S 2014: Chase ATM emitting blue smoke, Bank of America ATM emitting red smoke, TD Bank ATM emitting green smoke /// Invisibility-cloaked hand gestures in offshore financial center jungle

Andrew Norman Wilson, USA, 2014, digital projection, 11m

Lorem ipsum 1

Victoria Fu, USA, 2013, DigiBeta, 13m

Pan

Anton Ginzburg, USA, 2014, 16mm, 6m    


FILM SOCIETY OF LINCOLN CENTER

Founded in 1969 to celebrate American and international cinema, the Film Society of Lincoln Center works to recognize established and emerging filmmakers, support important new work, and to enhance the awareness, accessibility, and understanding of the moving image. The Film Society produces the renowned New York Film Festival, a curated selection of the year’s most significant new film work, and presents or collaborates on other annual New York City festivals including Dance on Camera, Film Comment Selects, Human Rights Watch Film Festival, Latinbeat, New Directors/New Films, NewFest, New York African Film Festival, New York Asian Film Festival, New York Jewish Film Festival, Open Roads: New Italian Cinema and Rendez-Vous with French Cinema. In addition to publishing the award-winning Film Comment magazine, The Film Society recognizes an artist's unique achievement in film with the prestigious Chaplin Award. The Film Society’s state-of-the-art Walter Reade Theater and the Elinor Bunin Munroe Film Center, located at Lincoln Center, provide a home for year-round programs and the New York City film community.

The Film Society receives generous, year-round support from Royal Bank of Canada, Jaeger-LeCoultre, American Airlines, The New York Times, Stella Artois, HBO®, The Kobal Collection, Trump International Hotel and Tower, Row NYC Hotel, the National Endowment for the Arts, and the New York State Council on the Arts.

Support for the New York Film Festival is also generously provided by KIND Bars, Portage World Wide Inc., WABC-7, and WNET New York Public Media.

For more information, visit www.filmlinc.com and follow @filmlinc on Twitter.

For Media specific inquiries, please contact:

John Wildman, (212) 875-5419

jwildman@filmlinc.com

David Ninh, (212) 875-5423

dninh@filmlinc.com

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